Copyrighted logos and trademarks are those of the respective company: Akai, Alesis, Allen & Heath, American Audio, Apple, Avertec, B-52, BBE, Behringer, Boss, Cascio, Chauvet, Coemar, Cortex, Crown, Dell, Denon, Digidesign, Drawmer, Elation, Fender, Gemini, Gemsound, Hercules, Korg, M-Audio, Mackie, Marshall, Martin, Mesa, Multi-Cart, Numark, Ortofon, Pearl River, Peavey, Pioneer, Rane, Robe, Roland, Serato, Shure, Sony, Soundcraft, Tascam, Technics, Traktor Scratch, Vestax, Vox, Yamaha, etc. Certain areas of the product images may not be shown in scale due to the nature of the photography. Gear (for examples, laptops, DJ controllers, turntables, mixers, microphones, headphones, needles, cartridges, mats, and others) shown in product images are not included. Its angled platform can be adjusted to 3 heights to elevate your hardware and keep cables out of the way. However, due to the constant changes in raw material availability and usage, improvements in design, typographical errors, and other factors that may be beyond our control, We reserve the right to make changes in designs, styles, features, colors, dimensions, and other specifications without prior notice. Flexible and strong The portable T-U101 X-STAND is designed for use with the RMX-1000 and RMX-500 remix stations, laptops, and other DJ accessories. Thank you for your understanding.ĭisclaimer: Odyssey Innovative Designs strives to ensure the accuracy of the information contained herein. Odyssey is committed to manufacture with the best available resources at the time of production. In order to continue with manufacturing and providing products for our industry, the finished products may vary from batch to batch. XLR Male to XLR Female Pro Balanced Microphone Cablesĭue to the pandemic, the global supply chain and labor resources have been disrupted by delays and scarcity.XLR Male to XLR Female Balanced Microphone Cables The new T-U101 X-STAND multi-purpose DJ stand designed for use with the RMX-1000 remix station, laptop devices, and/or other accessories that need to be.XLR Male to XLR Female 3P Pro DMX Cables.When an injury event such as frost or hail occurs it is best to wait a few days to perform a stand assessment, as it will allow a better determination of whether or not plants will recover. XLR Male to Mono 1/4″ Male Unbalanced Microphone Cables Measure off the distance appropriate for your row width, count the number of live plants and multiply by 1,000 to obtain an estimate of plants/acre.XLR Male to Mono 1/4″ Male Pro Unbalanced Microphone Cables.XLR Female to Mono 1/4″ Male Unbalanced Microphone Cables.XLR Male to Stereo 1/4″ Male Balanced Microphone Cables.XLR Female to Stereo 1/4″ Male Balanced Microphone Cables.1/8″ Stereo Male to XLR Female Pro Microphone Cables.1/8″ Stereo Male to Dual RCA Male Pro Link Cables.1/4″ Angle to 1/4″ Angle Instrument Cables.Oh, and by the way: the only difference between HPM 60 and HPM 70 (same thing about 100 and 110) is cabinet color. The only question is left, why did Pioneer make 70X and 110X in the first place? I do hope that my post will help people looking for information about X versions of these beatiful speakers. And guess what, HPM-110X were released a bit later after HPM-100/110 And it's midrange driver must be 10-722 then. Going back to my HPM-70X midrange driver here is 10-720B so I am 99% sure that HPM-70X came out a bit later than HPM-60. And 10-xxxA stands for the first version of a midrange driver.īUT in 1978 also came out HPM 60 mk II (oftenly called U2) that had 10-726 midrange driver: (I couldn't figure out why in all service brochures midrange driver was always 10-719A, not a single time 10-726 appeared). HPM 700 came out in 1980, HPM 60 and 100 in 1976, HPM 150 in 1978, so we can assume, that numbering is in chronological order. Click to expand.So it explains A,B and C in the name.
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